What I Learned at UELMA March 7, 2010
As you may or may not know, I am a wanna-be school librarian. As such, Friday I had the opportunity through my work to attend the UELMA conference (Utah Educational Library Media Association) at Mountain View High School in Orem (“Family City U.S.A.”), Utah. This was my first time attending such a conference, and I actually enjoyed it. My boss won an award based on a nomination letter that I drafted (well, and maybe partly based on all the great things he’s done for libraries in our school district that made it easy to draft said letter). Plus, I got paid to be there and I got a free lunch out of the deal.
Examples of things I learned
- All kinds of great and wacky ideas for programs and events to do with students in a library, which got me all excited, until I remembered I don’t have a library to do them in or students and teachers to do them with. This plethora of ideas came courtesy of Lanell Rabner, librarian at Springville High School and also the current president of UELMA.
- It turns out that Dickens’ Great Expectations and the beginning novel in Stine’s Goosebumps series are basically the same book. Seriously though, I learned a bunch of cool ideas about archetypes and the universality of narrative, and the importance of libraries/librarians refraining from putting up any impediments to a child’s choosing a book to read, even (and perhaps especially) if it is something lame like Goosebumps. This came from a session by Clint Johnson, a writer and writing teacher at Salt Lake Community College.
- Not every session you attend in a conference is great. This realization helped me begin to understand why a few conference-goers seemed so jaded about the whole thing. I am still a rookie and I mostly drank up the kool-aid the whole time.
- Perhaps most importantly for my current job, I learned how to steal MARC records from the Canadians. (Thank you, Summer Cornelius of Hurricane High School.)
So that was basically my freshman UELMA experience. Stay tuned for my next post, in which I reveal to the web some exciting information to which only I and a few hundred others were privy as attendees of the conference.
Finally, that Alvin and the Chipmunks / Manheim Steamroller collaboration we’ve all been waiting for! Basically sounding the same as a walk past the entrance of a Kay Bee Toys, try this album if you enjoy xylophones, talking robots, the demo button on that old synthesizer at Grandpa’s house, motion-activated cackling witches, xylophones, Max Headroom, battery-powered monkeys banging cymbals together, a dog barking “Jingle Bells,” video game soundtracks of the early 90s, and xylophones. This is crazed carnival clown music taken to a new sample-laden, frenetic frenzy. Full of blooping, looping, endless repetition, two-year-olds may really get into this. Unfortunately we may never know, since I don’t have children yet and I don’t feel good about subjecting my nieces and nephews to this, nor their parents, nor random children at a school playground, because that would just be creepy. Two stars; unless you are in the mood for something really obnoxious (I get that mood myself from time to time) or you want to send a stressed-out person into an actual nervous breakdown, in which case it goes up to four stars. Merry Christmas!
Cameron is an aimless, sarcastic stoner who is alienated from his family and has no real friends of which to speak. When he starts having hallucinations and loses control of his body a couple of times, everyone assumes he must be using hallucinogenic drugs. Not true: after getting fired from Buddha Burger, getting suspended from school, being forced into therapy by his parents, and having a run-in with a flaming toaster oven, he is finally diagnosed with Creutzfeldt-Jakob (a.k.a. “Mad Cow”) disease. It will deteriorate his brain and kill him.
